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Kamis, 29 September 2011

Free Ebook Moon Wreck: The Slaver Wars, Book 1

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Product details

#detail-bullets .content {

margin: 0.5em 0px 0em 25px !important;

}

Audible Audiobook

Listening Length: 5 hours and 11 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Raymond L. Weil

Audible.com Release Date: June 18, 2014

Whispersync for Voice: Ready

Language: English, English

ASIN: B00L3WR6EW

Amazon Best Sellers Rank:

Given that I have read the entire series currently available I couldn't really give this series a lesser star eating. However, the entire series could do with some serious editing as it is riddled with nauseatingly repetitive phrases and statements. At times it makes you feel that the writer doesn't think the reader is intelligent enough to remember that when the spatial vortex closes there is no trace of it ever having been there......I also can't believe that the author portrayed the "heroes" that discovered the spaceship as having such weak character.... Really? You are going to the moon - surely it would cross your mind that you will miss your family? OK - they are stranded there BUT why belabour the point to the characters detriment - they came off as weak and useless and with that the characters were unbelievable. This in itself almost made me throw the book out the window. But I persevered hoping that the writing style would develop and the continual repetition would stop. At the end of the entire series I can say that it has - but only marginallyIf you can get over the poor editing and repetitions (and if I can then most others should be able to) then this series may be worth your time. After all, it was entertaining and with enough interest to make me want to persevere to find out the fate of the human race..... as such I will probably be reading any further instalments.

Cardboard cutout characters, nonsensical plot, zero explanation of everything. I'm pasting in someone else's review below, because it will save me much typing. One thing he didn't cover which I will here (WARNING - SPOILERS) is how in the heck are there "humans" that somehow evolved in other solar systems, and how are these humans hidden on Ceres able to carry on English language conversations with our main characters???? And why don't our main characters ever ask, "Soooo, was earth settled in the far past by the some Federation explorers, or how is it that we ended up on earth so far away from you all? I mean, it wasn't just freakish chance that we evolved just like you was it? And by the way, how can you speak English so well?" Dumb, dumb, dumb.Now, for the other guy's review:I went looking for some space opera, and this one landed near the top of the category search. I was hoping to start a good series, so I bought "Moon Wreck" after reading the blurb and skimming the five star reviews. The storyline is familiar, but I expected it to be. "Astronauts find crashed ship on the Moon, it has a working AI, it turns out the ship is from advanced human civilization on the run from an evil empire". I wanted some space opera, and yes it's that.However, I didn't expect the laughably awful writing, the lack of originality, the complete lack of any technical explanation of anything, the slight sexism that runs through the book, and all the other things that force me write this one-star review. I read the first 75% of the book in detail, then just could not take it anymore and skimmed the last 25%.The alien Hocklyns are described as "a lizard that walked on two feet with arms and hands. They were a pale green in color with a small crest on the top of their head". Are you kidding me? That's a Gorn from Star Trek! And the Admiral of the Federation Fleet, well he's clearly a copy of Commander Adama from Battlestar Galactica.Every character is named something from early 70s elementary school classroom. Jason, Greg, Lisa, Elizabeth, Katherine. The alien AIs are named Ariel and Clarissa; perhaps the author watches Disney movies and late 90s Nickelodeon TV shows.The male characters are never physically described, but the female characters are, as are the female AIs which are called "gorgeous" multiple times. When we meet the second AI, Clarissa is described as "a pretty blonde with deep blue eyes and a friendly face", and Greg notes that "The Federation obviously had a good taste in women." [sic] There are other examples of that kind of casual sexism. Men are pilots, women are nurses. That sort of thing.The book has several very annoying repetition patterns. We are beaten over the head, page after page, time and time again, about the overprotective sister. I just searched for the word "sister" and skimmed the 35 results, with results like "His sister definitely won't be happy about that", "He knew his sister was relieved", "Jason knew he was going to get an earful from his sister", "He knew his sister was going to be highly upset with him again", "he hated upsetting his sister", "he was just glad his sister didn't know what was happening". We learn that the aliens will arrive in 268 years (12 times that number is used, per the search function). We are told time and again how much Greg misses his wife and infant son, but curiously the author never bothers to give the child a name.

I'd probably give this 3.5 stars if it were an option. If you're looking for your next Tolkien/Herbert/Martin series to read, this is absolutely not it. If you're looking for a time-filling page-turner with an interesting premise, you might be in luck.The cons: The writing style is, in a word, basic. Weil, for whatever reason, repeats things ad nauseam in the series, in the books, in the chapters, and yes, occasionally in the same paragraph. How often do we need to be reminded that Kevin likes hamburgers? That Jeremy likes fruit drinks? That Amanda likes hot chocolate? If I had a nickel for every time a female character "crossed her arms across her breasts" I'd have at least a couple dollars. Weil might have been better served by further developing these utterly one-dimensional characters instead of telling us that they were slicing an egg on their salad. There are only two kinds of characters in the entire series: white hats and black hats. The characters figuratively wear one or the other with not even the slightest nuance towards the middle of the spectrum and they are utterly uninteresting.The pros: How can there be pros after that? The premise of the series is interesting. And while Weil leaves vast ground uncovered in terms of political intrigue, economics, etc. (actually, politicians = whiny idiots, admirals = save the world studs), he does attempt to delve into the technological aspect of things (although you might wonder how so little progress is made over the course of 400 years). No, the real fun here is guiltless space opera with massive battles typically resolved by all manner of dei ex machina not excluding the series denoument.I suppose there must be a place in the contemporary literary world for the sci-fi version of a prolific romance novel writer and Weil fills that space. I envy his success. And I can't say that I didn't enjoy the series on some level, but now I feel like I need to go re-read the Simarillion a few times.

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Sabtu, 17 September 2011

Ebook Download Leaves From FireBy Simcha Guterman

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Simcha Guterman's, Leaves from Fire, is a firsthand account written with the deep sense of comprehension he was documenting the fate of his people. Knowing full well that his life was in danger, Simcha chronicled the occurrences of the Holocaust on long scraps of paper, as they happened right before his eyes. The events described take place in Poland, during the first years of World War II. The author stuffed long paper scraps, written in Yiddish, into bottles and hid in them in different places. One of these bottles was discovered after the war. Simcha Guterman’s work has been published and translated into eight different languages, receiving high praise from critics. The book’s evocative illustrations were drawn by Yaakov Guterman, the author’s son.

  • Sales Rank: #2589278 in Books
  • Published on: 2015-01-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .67" w x 6.00" l, .88 pounds
  • Binding: Paperback
  • 296 pages

About the Author
Simcha Guterman was born in Warsaw on September 1, 1903, the fifth child in the family. He was a lively and mischievous boy. Dearly loved by his brothers and sisters, Simcha emerged, early on, as a born leader. Later on, Simcha joined the Polish underground and fell in the Warsaw uprising.

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Rabu, 07 September 2011

Free Ebook The Official LSAT PrepTest 74: (Dec. 2014 LSAT)By Law School Admission Council

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  • Sales Rank: #6918 in Books
  • Published on: 2015-01-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .10" w x 8.30" l, .30 pounds
  • Binding: Paperback
  • 52 pages

About the Author
The Law School Admission Council has developed and administered the LSAT on behalf of all American Bar Association-approved law schools since 1948. Their national headquarters are located in Newtown, PA.

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Minggu, 04 September 2011

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Drawing on a wealth of medical and historical materials, Sander Gilman sketches details of the anti-Semitic rhetoric about the Jewish body and mind, including medical and popular depictions of the Jewish voice, feet, and nose. Case studies illustrate how Jews have responded to such public misconceptions as the myth of the cloven foot and Jewish flat-footedness, the proposed link between the Jewish mind and hysteria, and the Victorians' irrational connection between Jews and prostitutes. Gilman is especially concerned with the role of psychoanalysis in the construction of anti-Semitism, examining Freud's attitude towards his own Jewishness and its effect on his theories, as well as the supposed "objectiveness" of psychiatrists and social scientists.

  • Sales Rank: #910929 in Books
  • Published on: 1991-10-12
  • Released on: 1992-09-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .72" w x 8.50" l, 1.02 pounds
  • Binding: Paperback
  • 316 pages

From Publishers Weekly
Circumcision engages Jewish males in a powerful paradox: while establishing their religious and cultural identity, it marks them as profoundly different in others' eyes. This difference manifests itself in perceptions of the Jewish male's habits and physiognomy. No matter what tongue he speaks, the Jew's language is always different and therefore suspect. Even Christ's final words--those of a Jew in Aramaic--must be "translated into Greek, Latin, German or English for the self-labeled Christian reader to understand." During the Austrian monarchy, Jews' feet were construed as weaker than other men's, disabling them from military service and signaling "their inability to be full citizens." In three central chapters, Gilman demonstrates how Freud's theory of creativity, which holds that artists sublimate unacceptable characteristics, universalizes his experience as a Viennese Jew compelled to "deny his essence" into a property of the human psyche. Applying the techniques of literary criticism to predominantly European myths, documents and artworks, Gilman ( Jewish Self-Hatred ) has written an intriguing interpretive history of the Jewish male body. Illustrated.
Copyright 1991 Reed Business Information, Inc.

From Library Journal
Gilman (humane studies, Cornell Univ.; history of psychiatry, Cornell Medical Coll.) has produced a weighty book of essays on the evolution of hatred toward Jews in Western culture. The hatred has conjured up a series of bodily images of the prototypical Jew. Aspects of this vast fantasy are painstakingly examined from the image of the clovenfoot to that of the Jewish voice and nose. Gilman is particularly adept in dissecting the corpus of 19th- and 20th-century pseudoscience which sought to take an intellectual approach to the subject. Medieval images often have a way of recurring even in our own times. Gilman tries to show how modern psychiatry beginning with Freud and modern medicine have struggled to come to terms with these images. This book, densely written and academic in approach, is recommended for libraries with strong Judaica and sociology holdings.
- Paul Kaplan, Dakota Cty. Lib., Eagan, Minn.
Copyright 1991 Reed Business Information, Inc.

About the Author
Sander Gilman is Goldwin Smith Professor of Humane Studies at Cornell University and Professor of the History of Psychiatry at Cornell Medical College.

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